Big Studios has mastered everything from cute animations to realistic car renders. CCO Ricardo Passos tells us how they work and the benefits of adopting Chaos Cloud.
Learn more about the creative process, teamwork, and collaboration involved in creating the V-Ray 6 release videos for 3ds Max, Cinema 4D, and Maya.
“The Shining” and “IT” nods aren’t the only cool things in Muse's latest video. Learn how V-Ray helped create everything from melting portraits to handheld shots.
Chaos’ fluid dynamics simulator can be used for more than just VFX. Phoenix product specialist Georgi Zhekov shares how it can bring archviz projects to life.
This year’s V-Ray VFX showreel has it all—featuring some of the biggest visual effects from blockbuster movies, TV series, game cinematics, ads, and more.
Discover the V-Ray features that give architects and archviz artists joyfully smooth rendering workflows, no matter which 3D modeling software they’re using.
New V-Ray version saves time and boosts creativity with features such as Enmesh for repeating geometry, procedural clouds, all-new render analytics, and more.
In the second part of our “Love, Death & Robots” episode breakdown, Blur Studio tells us how they worked with director David Fincher to dramatically light shots.
Love Death & Robots’ “Bad Travelling” gave Blur Studio a chance to work alongside legendary director David Fincher. Find out what they learned in the process.
eder’s VR-Mockup software produces hundreds of photorealistic car and product configurations at the touch of a button. Find out how it’s powered by V-Ray AppSDK.
Miralumo's short film "Napo" explores how art reignites forgotten memories and bridges generational gaps. Discover how V-Ray for Maya helped produce the film.
Having mastered the digital portrait, Ian Spriggs is going beneath the skin. He tells us how V-Ray for Maya’s AL Surface shader brought “Prometheus” to life.
V-Ray for Maya frees creative studio Recom Farmhouse’s imagination — and Chaos Cloud ensures it delivers work on time. Owner Christoph Bolten tells us more.
Škoda Design uses V-Ray for Maya and Chaos Cosmos to create sleek visualizations of their latest car models. They share some of their best projects with us.
Come fly with squee: Seonghyeon Park’s unique image scooped the public vote in our student rendering contest. He tells us about its inspiration and creation.
Here comes the science bit: V-Ray 5, update 2’s hair shader tackles white and lighter pigmentation. Find out how we overcame this surprisingly tricky challenge.
When talent meets passion: 3D Artist and Think Tank Online student Annina Weber talks about her V-Ray for Maya workflow and the inspiration behind her best work.
A robot in the headlights: Elvira Trofimova’s dazzling image brings FLCL's Canti and Haruko to life. Find out how V-Ray for Maya helped her create and render it.
Materials, models, and HDRIs: Chaos Cosmos support comes to V-Ray for Maya. Plus all-new features including V-Ray Decal, support for lights in USD, and more.
Future noir: Darko Mitev’s cyberpunk city could easily exist in “Blade Runner’s” grimy sci-fi world. Discover the V-Ray 5 for Maya features he used to create it.