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VFX

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MaterialX and V-Ray: Crafting the next chapter in 3D creativity

Discover how V-Ray 6, update 2 integrated MaterialX into V-Ray for Maya and Houdini's Solaris for effortless shader graph exchange and seamless collaboration.

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How Brick Visual is pushing the boundaries of animation with Chaos Vantage 2

Get ready to be captivated as we go behind the scenes of Brick Visual’s stunning animation, a collaborative project that pushes the limits of Vantage 2.

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Liquid symphony: Exploring directed velocities in Chaos Phoenix

Create a harmonious and captivating visual experience by following this 7-step tutorial that goes over the manipulation of directed velocities in Chaos Phoenix.

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How we made Chaos Scatter — and where it's going next

V-Ray Product Specialist Petya Georgieva explains how the latest version of Chaos Scatter will make it even easier to populate scenes with multiple objects .

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V-Ray VFX & Animation Showreel 2023

Grab your popcorn and enjoy the latest and greatest works of VFX magic, crafted by talented V-Ray and Phoenix artists from around the globe.

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How V-Ray, Phoenix, and Chaos Cloud helped “Starship” shoot for Mars

Christian Debney’s SpaceX-inspired short film ignites rocket fuel and tugs heartstrings. Find out how the director launched human feelings into outer space.

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Discovering a passion for VFX and fluid simulation (Chaos Campus Live Show Episode 5 Recap)

We love celebrating colleagues who innovate and inspire. Meet the most passionate VFX simulation guy around: Georgi Zhekov, Phoenix Product Specialist at Chaos.

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Going Big: Award-winning Brazilian creative studio talks rendering with Chaos Cloud

Big Studios has mastered everything from cute animations to realistic car renders. CCO Ricardo Passos tells us how they work and the benefits of adopting Chaos Cloud.

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Filmmaker shares secrets for out-of-this-world space renders

Cinematographer and VFX artist Oliver Bou Eid’s trailer for “Moon Earth Revolution” looks like a real sci-fi movie. Learn his secrets for that outer-space look.

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G-Bots and V-Ray: A match made in Chaos Cloud

G-Bots sit at the heart of GAMEE’s crypto-powered gaming platform. Find out how V-Ray for 3ds Max and Chaos Cloud help bring these premium characters to life.

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This is Halloween: How Frame48 designed a Muse video built for horror fans

“The Shining” and “IT” nods aren’t the only cool things in Muse's latest video. Learn how V-Ray helped create everything from melting portraits to handheld shots.

Scanline VFX © 2021 LEGENDARY AND WARNER BROS. ENTERTAINMENT INC. ALL RIGHTS RESERVED. GODZILLA TM & © TOHO CO., LTD.
V-Ray VFX & Animation Showreel 2022

This year’s V-Ray VFX showreel has it all—featuring some of the biggest visual effects from blockbuster movies, TV series, game cinematics, ads, and more.

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How Scanline VFX created some of "Stranger Things 4’s" most talked-about sequences

The latest season of Netflix’s megahit includes some of its scariest scenes yet. Scanline VFX’s Justin Mitchell reveals how V-Ray rendering helped tackle them.

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Behind-the-scenes of “Bad Travelling,” part 1: Collaborating with David Fincher

Love Death & Robots’ “Bad Travelling” gave Blur Studio a chance to work alongside legendary director David Fincher. Find out what they learned in the process.

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Behind-the-scenes of “Bad Travelling,” part 2: How to light like David Fincher

In the second part of our “Love, Death & Robots” episode breakdown, Blur Studio tells us how they worked with director David Fincher to dramatically light shots.

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How a small team created this thrilling Apex Legends fan trailer

A handful of Apex Legends fans came together to create this stunning pandemic passion project. Discover how V-Ray rendering helped them up their game.

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Behind the Scenes of Spider-Man: No Way Home

Spider-Man is back and so is V-Ray! Learn how famed VFX studio Digital Domain rendered seamless digidoubles for the friends and foes of Spider-Man: No Way Home.

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Behind the scenes of "Moonfall’s" Aspen chase

Roland Emmerich’s latest disaster flick includes a dramatic car chase through a ski resort. We talk to Scanline’s Mathew Giampa about how they did it.

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The power of self-discipline when chasing dreams (Chaos Campus Live Show Episode 1 Recap)

Chaos student rendering competition winner Isaac Zuren reveals the courage and discipline it takes to not only reach our dreams but keep on growing afterward.

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Building Gotham for “The Batman”

The DC universe’s greatest detective is back. We talk to Scanline VFX’s Julius Lechner about creating truly immersive environments for Matt Reeves’ “The Batman.”

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Allan McKay on how to automate everything as a technical director

In Show 5, Emmy Award-winning Technical Director Allan McKay focuses on the importance of automating everything to optimize your workflow and reap the benefits of the scripts and tools made available in rendering software.

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How V-Ray powered up Free Guy’s visual effects

“Free Guy” brings videogame mayhem to the big screen. Scanline VFX Supervisor Bryan Grill tells us how rendering with V-Ray for 3ds Max helped control the action.

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V-Ray VFX & Animation Showreel 2021

Check out our 2021 reel, packed full with outstanding VFX work by V-Ray customers from around the world. True masters of their craft.

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Going bananas with V-Ray for Houdini

Artjail’s Lexus spot features bendy fruit falling from the sky. Head of 3D Ross Denner tells us how V-Ray for Houdini was instrumental in this imaginative ad.

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