This May, we're putting on the greatest rendering event in the known universe. Here’s why you need to be there.

VFX duo’s kickstarted film about the quest to discover a mythical creature catches Hollywood’s attention, with a little help from V-Ray.

With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.

Rebuilding 18th-century Philadelphia for Starz piratical TV series.

Director Takeshi Nozue on the latest entry in the FF film series.

The latest collection of incredible work from our V-Ray and Phoenix FD customers.

Sub-zero chase realized with V-Ray 3.5 for Maya’s Adaptive Lights tech

Nuke warfare: William Bartlett helms title sequence for alt-history TV series.

VFX supervisor Timothy Hanson reinvents the reanimated in for Walking Dead spin-off.

Tour a haunted house with IAMSTATIC's end credits sequence.

Unit Image cooks up CGI for TV station ad.

Anniversary celebrated with greatest hits video.

Victor Hugo creates character for Blur Studio's cartoony trailer.

The mad mechs return in Blur Studio's trailer.

How Framestore Nuked Spectre’s title sequence.

Breathing life into the show's ferocious fire-breathing CG beasts.

An epic follow-up to the incredible Smite trailer.

The big screen gets even bigger...

Iloura uses V-Ray to render effects for massive skirmish sequence.

A whole new perspective on the show's iconic opening sequence.

Conspiracy theories and cyborgs clash in Adam Jensen’s latest adventure.

How Zodiak Kids show “Floogals” is pushing the boundaries of CG in TV for tots.

How this Swedish effects house breathed life into David Sandberg's bonkers vision.

Drum roll please - our new showreel is here!