We talk to Scott DeWoody and Alan Robles at Gensler about what technology has to offer for the future of architecture design.

Wes Ball, Director of The Maze Runner and The Scorch Trials talks about his career.

We talk to Kevin Baillie about Atomic Fiction, The Walk, and rendering on the cloud with V-Ray for Katana.

We talk to Shahin Toosi about how he spent 2 years working on V-Ray for Nuke.

Justin Denton is a director and vfx supervisor specializing in VR content.

We talk to the renowned concept artist Fausto De Martini about his career.

Justin Denton talks about how Legend 3D started to make VR content in both live action and CG.

Kirk and Christopher from A52 chat about their work at A52.

Vlado explains sampling in V-Ray 3

Erik's background in Effects started way back as a director of photography in miniatures.

We talk to director Ruairi Robinson about his career including the teaser Leviathan.

While working on CONSTRUCT, Kevin Margo decided to experiment with the new stereo 6 x 1 cube maps for VR.

Ben West joins the Digital Film League

We talk to Rob Nederhorst about his history and his new project Live Mentor

Dariush Derakhshani talks about his career in teaching

We talk to Dan Roarty about his career in games, digital portraiture, and the Digital Human League

We talk to Craig Shimahara about his career in architecture, archviz, and filmmaking.

We talk to Andrea Block and Christian Haas about the work for Luxx Studios

We talk to Paul Debevec about his work, new technology, digital humans, and the future of technology.

Mackevision talks about their VFX work, including Game of Thrones

At the age of 33, Allan has been doing visual effects professionally for 20 years.

This week we talk to Ben West, a Creative Director at Framestore, and Director.

Eric Hanson discusses his career history as well as the work they do at xRez

Meet Scott Ross. One of the most influential people in the business of VFX.