Chaos Phoenix 5: Take your simulations to the next level
New version of our fluid dynamics software includes full control over active body simulations, new popular presets, streamlined workflows, and much more.
New version of our fluid dynamics software includes full control over active body simulations, new popular presets, streamlined workflows, and much more.
CGarchitect, the world’s largest online community for archviz, has become part of the Chaos family. Founder Jeff Mottle talks about handing the reigns over to Chaos’ Lon Grohs.
Share your work, get inspired, find your archviz dream job.
The DC universe’s greatest detective is back. We talk to Scanline VFX’s Julius Lechner about creating truly immersive environments for Matt Reeves’ “The Batman.”
The key to a smarter workflow: nodes. Learn how Goodbye Kansas is using the building blocks of scene creation in Houdini to create powerful art.
Animal Logic’s Darin Grant talks about the studio’s move into animation, the moving CG content at this year’s SIGGRAPH Electronic Theater, and global VFX trends.
Continue your rendering journey in V-Ray for Cinema 4D with helpful tips from 3D artist Nejc Kilar on how to light your scene.
“Huxley” is about to become huge. Creator and concept artist Ben Mauro tells Chris how NFTs have helped his sci-fi comic book go to the big screen — and beyond.
eder’s VR-Mockup software produces hundreds of photorealistic car and product configurations at the touch of a button. Find out how it’s powered by V-Ray AppSDK.
Miralumo's short film "Napo" explores how art reignites forgotten memories and bridges generational gaps. Discover how V-Ray for Maya helped produce the film.
Senior CG Artist Thomas Kaufmann shares how he uses V-Ray for Maya with Chaos Scans to communicate his vision and take his images to the next level.
Rendering engines can look scary — but they’re really not. Chaos expert Ricardo Eloy explains how V-Ray takes the complexity out of your first photoreal render.
Can web 3.0 power the future of cinema? Director and writer Matteo Santoro reveals how his NFT feature film “SIFT” gives fans a role in the production process.
From pioneering CG for “Apollo 13” and “Titanic,” to VP at Houdini developer SideFX: Judith Crow talks about her career on both sides of the effects industry.
Learn why the Cosmos 3D asset library has become the essential tool for architects and interior designers to bring their scenes to life.
Learn how to use V-Ray 5 for Cinema 4D to create impressive interiors using helpful tips from 3D artist Nejc Kilar.
Up up and away: Embraer uses Chaos Scans along with V-Ray Collection to create impressive renders of commercial planes in 3ds Max. Dive into their process.
Having mastered the digital portrait, Ian Spriggs is going beneath the skin. He tells us how V-Ray for Maya’s AL Surface shader brought “Prometheus” to life.
Seizing the opportunity: UX Designer and 3D artist Cameron Rule relies on Vantage to bring high-quality Kiwi architectural renderings to the world of arch viz.
Back in school: 3D College students are combining in-class lectures with online tools to further their learning. Nicklas Byriel updates us on his students’ achievements.
Need some pointers on your next arch viz project in V-Ray for Cinema 4D? Get expert advice from 3D Render & Beyond.
From “South Park” to “Sweet Tooth:” Zoic co-founder Andrew Orloff talks about using cutting-edge technology to create large-scale VFX for the small screen.
Creative studio Recom Farmhouse’s founder Christoph Bolten and managing director Richard Levene recount some of the crazy adventures they’ve had in photography.
Barbara Ford Grant is president of a world-leading virtual production facility and the first female chair of the Sci-Tech Committee of the Academy. Hear her inspirational story.
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