VES winner Robert Moggach has crafted epic visuals for Moby and Muse music vids, big brand ads, and movies such as “Harry Potter” and “I, Robot.” Hear his story.
Read moreCaught an ad on Instagram or YouTube recently? There’s a chance it was made by Vikkal Parikh’s Ataboy Studios, the hugely creative force that specializes in six-second ads that make you laugh and sell a product.
Read moreDirector and USC professor Ben Hansford shares his thoughts on how AI will lead to incredible new cinematic experiences from a fresh generation of filmmakers.
Read moreBegin 2024 the right way with this positive podcast about how creatives can turn an ever-changing world into an exciting wonderland of opportunity and joy.
Read moreRising YouTube star and VFX supervisor Jonas Ussing returns to talk about how he’s shining a light on the CG artists and studios omitted from movie credits.
Read moreBuilding Scope City: Automotive photography expert Faruk Heplevent on founding The Scope and creating a revolutionary new tool for customizable urban backdrops.
Read moreFrom flying logos to winning Oscars: SideFX’s Kim Davidson talks about how the company developed Houdini and became an important player in VFX.
Read moreA life in movies: Elemental director opens up about telling his personal story through a Pixar animation, and reveals the difficulties of working with water and fire.
Read moreIllumination's “Migration” director Benjamin Renner shares his journey from 2D animation in France to 3D in Hollywood, and reveals what it’s like to direct a big movie.
Read more“Cyberpunk 2077: Phantom Liberty” music video director Michał Misiński talks about blending CG with the real world, shooting cars, and working with Ash Thorp.
Read moreA fresh perspective: “Spider-Man 2” and “Avengers” artist Ryan Woodward reveals how he works hard without burning out, and discusses his approach to storytelling.
Read moreHead writer, director, and producer on HBO’s “Insecure” reveals how she got her dream job, and gives her thoughts on how auteurs and AI are shifting content.
Read more“Ted Lasso” VFX supervisor James MacLachlan reveals how the hit Apple TV+ show used invisible effects to create realistic Premier League soccer matches.
Read moreArtist Halsey Burgund’s “Moon Disaster” uses a digital Nixon to deliver an alternative moon landing speed. He tells Chris more about this fascinating project.
Read moreChaos’ real-time ray-traced photorealistic rendering engine has just hit its second iteration. Product Manager Simeon Balabanov discusses what’s new in Vantage 2.
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