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#411: January 30, 2023
Meats Meier — Virtual Production Supervisor at Eyeline Studios (Scanline)
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Celebrated artist and “Obi-Wan Kenobi” virtual art director Meats Meier discusses the positives and negatives of generating images with artificial intelligence.

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#410: January 23, 2023
Yuval Levy — Director / Creative Director / VFX Supervisor, The-Artery
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From “The Adjustment Bureau” to “Beau is Afraid:” Director and VFX Supervisor Yuval Levy talks shooting cars, replacing faces, and artificial intelligence art.

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#409: January 17, 2023
Andrew Bardusk — VFX Supervisor, Zoic Studios
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How has the streaming boom affected visual effects work? Zoic’s “Legends of Tomorrow” VFX supervisor Andrew Bardusk reveals how episodic is the new cinematic.

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#408: January 9, 2023
Culley Bunker & Richard Kidd — Prototype
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Chris joins Prototype CTO Culley Bunker and Producer Richard Kidd to discover how machine learning and new techniques are taking digital humans to the next level.

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#407: January 3, 2023
Evan Jacobs — VP Finishing & Stereo, Marvel Studios
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Evan Jacobs pulls back the curtain on Marvel Studios’ well-oiled VFX pipeline and explains how he bridges the gap between DPs, directors, and CG supervisors.

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#406: December 19, 2022
Taylor Moll — VFX Supervisor, Dneg Animation
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From “Happy Feet’ to “Entergalactic:” Taylor Moll tells Chris how she’s traveled the world, learned to lead — and set up Dneg’s feature animation department.

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#405: December 12, 2022
Aoi Yamaguchi — Master Calligrapher
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Calligraphy is a unique fusion of mind, body, and art — and Aoi Yamaguchi has mastered the form. Find out how her performances are taking the medium to new places.

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#404: December 5, 2022
Eugénie von Tunzelmann — Head of VFX, Attractions; Framestore
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Discover the inner workings of theme park rides with Eugénie von Tunzelmann, who’s taken her VFX skills from “Interstellar” to “Jurassic World VeliciCoaster.”

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#403: November 28, 2022
Karin Fong — Director, Imaginary Forces
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“Spider-Man: No Way Home,” “Cowboy Bebop,” and “Boardwalk Empire” title designer Karin Fong on working with top talent to create the perfect credit sequence.

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#402: November 21, 2022
Sean M. Ritchie & Chris Cook — CG Supervisors, Crafty Apes
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Crafty Apes CG Supervisors Sean M. Ritchie and Chris Cook discuss working on movies including “Dune” and “Spirited,” and reveal how tech will change the industry.

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#401: November 14, 2022
Dylan Sisson — Marketing Manager, Pixar Animation Studios
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Pixar Animation Studios’ Marketing Manager talks about making “Toy Story,” and how artificial intelligence is changing some surprising elements of movie making.

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#400: November 7, 2022
Scott Leberecht — Director, “Jurassic Punk”
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Chris celebrates the podcast’s 400th episode in style with Scott Leberecht, the director whose documentary “Jurassic Punk” profiles VFX renegade Steve Williams.

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#399: October 31, 2022
Tom Teller — Founder & Executive Producer at Frame 48
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The director behind Muse’s “You Make Me Feel Like It's Halloween” promo discusses the creative processes, as well as founding a small company and embracing AI.

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#398: October 24, 2022
Jinko Gotoh — Producer
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From applied mathematics to “Space Jam,” “Finding Nemo” and “Klaus:” Animated movie producer Jinko Gotoh tells Chris about her incredible Hollywood journey.

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#397: October 17, 2022
Mikal Vega — Actor/Performance Capture Director
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Former Navy Seal Mikal Vega now directs “Call of Duty” content and he’s acted in “Transformers” movies. Find out how he balances destruction and creativity.

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#396: October 10, 2022
Jingna Zhang — Fine Art Photographer and Art Director
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In her sights: World-renowned photographer and air rifle champion Zhang Jingna shares tips on how to take great shots and sheds light on the fashion industry.

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#395: October 3, 2022
Oliver Markowski — Head of 3D, RISE | Visual Effects Studios
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Oliver Markowski, head of 3D at German VFX studio RISE, talks USD, Houdini, and Material X, and reminisces about the days of floppy disks and huge manuals.

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#394: September 26, 2022
Angie Jones — Animation Supervisor, Educator, & Author
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Angie Jones has contributed to projects including “X2,” “Fortnite,” “Bloodshot,” and many more. Join her to find out what it takes to be a professional animator.

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#393: September 19, 2022
Garman Herigstad — Visual Effects Educator / Writer
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VFX legend Garman Herigstad sheds light on his globe-trotting career and talks about working on “O Brother, Where Art Thou?” “The Time Machine,” and “Black Adam.”

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#392: September 12, 2022
Mio Markovic — VP of Animation Production, DreamWorks Animation
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How do you make a high-quality animated TV series? Mio Markovic, DreamWorks’ VP of Animation Production, breaks down “Voltron,” “Camp Cretaceous,” and more.

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#391: September 6, 2022
Jerome Denjean — Supervising Creative Director; Love, Death & Robots
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Love Death & Robots’ supervising creative director breaks down “Bad Travelling,” “Jibaro,” “Three Robots: Exit Strategies,” and “The Very Pulse of the Machine.”

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#390: August 29, 2022
Justin Mitchell — VFX Supervisor, Scanline
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Scanline’s “Stranger Things” VFX supervisor talks Chris through a career that has taken in “The Nevers,” “2012,” “Super 8,” “Iron Man 3,” and “Tomb Raider.”

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#389: August 22, 2022
Mike Romey — Director of Pipeline and Software Development, FuseFX
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Seeing the bigger picture: Discover how Mike Rome has helped create planetariums, Times Square billboards, “Star Wars” rides, and virtual production toolsets.

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#388: August 15, 2022
Isaac Irvin — VFX Supervisor, Carbon
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Join VFX Supervisor Isaac Irvin for a globetrotting guide to his VFX adventures, including “Speed Racer,” “Iron Man 3,” “Real Steel,” “Robocop,” and many more.

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#387: August 8, 2022
Bob Bacon — Founder and Head of Studio, Virtue Animation
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Bob Bacon has gone from greenlighting Disney movies “The Lion King” and “Aladdin” to founding a Web3 animation studio. Here’s how he found the value of creativity.

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410 items
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