Legendary VFX Supervisor Jeff Kleiser talks about everything from working on “Tron” and “Stargate” to his fascinating new project about Amsterdam during WWII.

From "The Sympathizer," to "SWAT," and "The Tick:" VFX supervisor Chad Wanstreet talks about his career in VFX, and how new tools are tackling old challenges.

Wonder Studio eases adding CG characters to live-action shots. Nikola Todorovic reveals how he and actor Tye Sheridan could have started a filmmaking revolution.

From music videos to managing 10,000 VFX shots a year: Producer Andy Fowler tells Chris about his incredible career and shares thoughts on virtual production and AI.

The Oscar-winning VFX supervisor who brought “Predator” to life and created the painted world for “What Dreams May Come” shares incredible tales and sage advice.

Cinematographer Kathryn Brillhart on her journey from documentary filmmaking to visual effects, including “Fallout,” “Black Adam,” and the impact of AI in film.

VFX Producer Liz Hitt talks about everything from “Hollow Man” to “Spider-Man: Homecoming,” and how she’s adapted to new challenges and changes in the industry.

VFX expert Junaid Baig shares his incredible knowledge and reveals how DNEG’s virtual production technology empowers artists and brings visions to life.

Join Senior Machine Learning Team Lead Dan Ring for an epic geek-out on everything from Gaussian Splats to ChatGPT, and discover how AI will power Chaos tools.

Phil Galler honed his virtual production skills on “Bullet Train” and “The Mandalorian.” He reveals how technology will empower a new generation of storytellers.

Building “Foundation:'' The Apple TV+’s show’s overall VFX supervisor, Chris MacLean, talks about bringing its world to life both on-set and in post-production.

Multi-talented director and VFX supervisor Hugo Guerra tells Chris how he balances his day job with running a YouTube channel and recording the VFX Notes podcast.

In this flashback episode, directors Doug Trumbull, Joe Kosinski, and Tim Miller talk about getting “Brainstorm,” “Tron: Legacy,” and “Deadpool” off the ground.

Chaos Product Managers Alex Yolov and Gosho Genchev on how MaterialX has been added to V-Ray for Maya and Houdini, and what it means for artists and workflows.

Creating “The Creator:” esteemed VFX Producer Julian Levi reveals how Gareth Edwards’ talents as a director came to light while making this gritty sci-fi epic.

Chaos Corona product manager Tom Grimes talks about what makes the renderer popular among archviz artists and reveals some of the features in the pipeline.

Former Hollywood VFX producer Tram Le-Jones on how she’s improving workflows and making artists’ and producers’ lives easier with Backlight’s ftrack software.

From pitchviz to previz, techviz, and postviz: Halon Entertainment’s Casey Pyke on the technology that plans movies including “The Batman” and “John Wick 4”.

Renowned cinematographer and director Richard Crudo shares his story, from humble beginnings to serving as president of the American Society of Cinematographers.

CG veteran Paolo Berto Durante talks about his long-standing computer graphics journey, his company J CUBE’s amazing CG tools, and AI's impact on creativity.

VES winner Robert Moggach has crafted epic visuals for Moby and Muse music vids, big brand ads, and movies such as “Harry Potter” and “I, Robot.” Hear his story.

Caught an ad on Instagram or YouTube recently? There’s a chance it was made by Vikkal Parikh’s Ataboy Studios, the hugely creative force that specializes in six-second ads that make you laugh and sell a product.

Director and USC professor Ben Hansford shares his thoughts on how AI will lead to incredible new cinematic experiences from a fresh generation of filmmakers.

Begin 2024 the right way with this positive podcast about how creatives can turn an ever-changing world into an exciting wonderland of opportunity and joy.

Rising YouTube star and VFX supervisor Jonas Ussing returns to talk about how he’s shining a light on the CG artists and studios omitted from movie credits.