We talk to Shahin Toosi about how he spent 2 years working on V-Ray for Nuke.

We talk to the renowned concept artist Fausto De Martini about his career.

Justin Denton talks about how Legend 3D started to make VR content in both live action and CG.

Kirk and Christopher from A52 chat about their work at A52.

Erik's background in Effects started way back as a director of photography in miniatures.

We talk to director Ruairi Robinson about his career including the teaser Leviathan.

We talk to Rob Nederhorst about his history and his new project Live Mentor

Dariush Derakhshani talks about his career in teaching

We talk to Dan Roarty about his career in games, digital portraiture, and the Digital Human League

We talk to Craig Shimahara about his career in architecture, archviz, and filmmaking.

We talk to Andrea Block and Christian Haas about the work for Luxx Studios

We talk to Paul Debevec about his work, new technology, digital humans, and the future of technology.

Mackevision talks about their VFX work, including Game of Thrones

At the age of 33, Allan has been doing visual effects professionally for 20 years.

This week we talk to Ben West, a Creative Director at Framestore, and Director.

Eric Hanson discusses his career history as well as the work they do at xRez

Meet Scott Ross. One of the most influential people in the business of VFX.

Jonathan Litt offers insight in the world of VFX thought his long and interesting career.

Let's spread the word that we need help to #RespectVFX again.

Vlado, Boris, and Chris talk about GPU, Techology, V-Ray Cloud, and V-Ray App SDK.

We talk to Jeff Mottle about ArchViz, Technology, and his new CGarchitect Visualization Conference.

Listen to André Luis and Scott Ross talk about their event in Portugal called Trojan Horse was a Unicorn. Make sure and check out the bonus section at the event for more info on winning a Golden Ticket.

Lou Pecora speaks to us about his experience as a VFX Supervisor and Artist during his 17 years at Digital Domain, including attending the Oscars for his team's work on X-Men: Days of Future Past.

Many of you probably know who Vlado is, but I bet many don't know Peter Mitev as well. Peter is the CEO of Chaos Group and started V-Ray with Vlado in 1997.

Mike has done a ton of media on VFX, so it was a pretty rare opportunity to turn the tables and have him talk about his own background and aspirations.