CG Garage

Matthias Christen, lead artist at The Scope, shares how his team built a massive real-time set for Ray Tracing FTW with 2 trillion triangles, used from pre-production to post!

AJ Wedding shares how Orbital Studios helped Chaos Innovation Lab film Ray Tracing FTW using Project Arena, and explores the future of virtual production and AI tools.

From “Here” to eternity: VFX innovator Ed Ulbrich returns to talk about how AI is changing the way movies are made and altering the economics of Hollywood.

VFX legend Kevin Tod Haug has created stunning shots for “Fight Club,” “Panic Room,” and “Quantum of Solace.” He reveals how he’s surfed waves of innovation.

Talking animals, flying logos — and Iron Men: talented VFX producer Ian Dawson shares his career path and thoughts on how AR and VR are making another comeback.

Join us as Gary Marshall, VP of Virtual Production at Nant Studios, who worked on "Gravity" and "Avatar," unveils the future of filmmaking magic.

Mod Tech Labs makes it easy to unify content across platforms and formats. CEO Alex Porter and CTO Tim Porter reveal what distinguishes their approach.

Erick Geisler has spent his whole life in movies and VFX. He talks about what’s changed — and how he’s embracing the future with his new company, Global Objects.

AI: making dreams come true, or a content nightmare? AI LA founder Todd Terrazas gives his expert opinion on how AI could power a new generation of filmmakers.

Legendary VFX Supervisor Jeff Kleiser talks about everything from working on “Tron” and “Stargate” to his fascinating new project about Amsterdam during WWII.

From "The Sympathizer," to "SWAT," and "The Tick:" VFX supervisor Chad Wanstreet talks about his career in VFX, and how new tools are tackling old challenges.

Wonder Studio eases adding CG characters to live-action shots. Nikola Todorovic reveals how he and actor Tye Sheridan could have started a filmmaking revolution.

From music videos to managing 10,000 VFX shots a year: Producer Andy Fowler tells Chris about his incredible career and shares thoughts on virtual production and AI.

The Oscar-winning VFX supervisor who brought “Predator” to life and created the painted world for “What Dreams May Come” shares incredible tales and sage advice.

Cinematographer Kathryn Brillhart on her journey from documentary filmmaking to visual effects, including “Fallout,” “Black Adam,” and the impact of AI in film.

VFX Producer Liz Hitt talks about everything from “Hollow Man” to “Spider-Man: Homecoming,” and how she’s adapted to new challenges and changes in the industry.

VFX expert Junaid Baig shares his incredible knowledge and reveals how DNEG’s virtual production technology empowers artists and brings visions to life.

Join Senior Machine Learning Team Lead Dan Ring for an epic geek-out on everything from Gaussian Splats to ChatGPT, and discover how AI will power Chaos tools.

Phil Galler honed his virtual production skills on “Bullet Train” and “The Mandalorian.” He reveals how technology will empower a new generation of storytellers.

Building “Foundation:'' The Apple TV+’s show’s overall VFX supervisor, Chris MacLean, talks about bringing its world to life both on-set and in post-production.

Multi-talented director and VFX supervisor Hugo Guerra tells Chris how he balances his day job with running a YouTube channel and recording the VFX Notes podcast.

In this flashback episode, directors Doug Trumbull, Joe Kosinski, and Tim Miller talk about getting “Brainstorm,” “Tron: Legacy,” and “Deadpool” off the ground.

Chaos Product Managers Alex Yolov and Gosho Genchev on how MaterialX has been added to V-Ray for Maya and Houdini, and what it means for artists and workflows.

Creating “The Creator:” esteemed VFX Producer Julian Levi reveals how Gareth Edwards’ talents as a director came to light while making this gritty sci-fi epic.