VFX rendering software for film & TV.

Dive into a world where anything is possible—epic space battles, mythical creatures, breathtaking environments, and unforgettable characters. Every frame is a testament to the limitless possibilities of Chaos tools and the boundless creativity of the artists who wield them.

The team used only 3 days of shooting on the LED stage and managed up to 30 setups in a standard 10-hour shoot day —a testament to Arena’s stability, efficiency, and ease of use. Arena performed flawlessly, bringing over 2 trillion polygons to the screen for three consecutive days without any costly crashes often associated with traditional virtual production workflows.

Learn how Digital Domain helped breathe life into the post-apocalyptic world of The Last of Us with the help of V-Ray for Maya—and how they did it in a matter of weeks.

Scanline VFX’s Justin Mitchell reveals how V-Ray rendering helped tackle them. Scanline used V-Ray to render intricate scenes, such as Eleven's confrontation with One and the helicopter crash, ensuring realistic and dynamic visual effects.

Roland Emmerich’s latest disaster flick includes a dramatic car chase through a ski resort. We talk to Scanline’s Mathew Giampa about how they did it.

Learn how famed VFX studio Digital Domain rendered seamless digidoubles for the friends and foes of Spider-Man: No Way Home. It wasn’t just classic villains that No Way Home brought back to the Spider-Man franchise. The blockbuster brought photoreal V-Ray rendering back to the franchise after its previous use on Spider-Man: Homecoming.