We developed V-Ray scene files to help you move a scene from one application to render in another.

Creative lead for new construction Zac Arato on reimagining the world.

V-Ray GPU Benchmarks on Top-of the-Line NVIDIA GPUs

Fine art meets arch viz in this seductive, painterly imagery.

Chaos Group’s Academy Award-winning co-founder on V-Ray for 3ds Max 3.5 and V-Ray for NUKE 3.5

V-Ray 3.5 for 3ds Max is here, and it’s fast. Our new Adaptive Lights algorithm speeds renders up to seven times faster on some scenes. If you’re a V-Ray 3.x customer, this update is free and available now.

Tour a haunted house with IAMSTATIC's end credits sequence.

We talk to this Polish artist about his spectacular architectural images.

V-Ray GPU improvements in V-Ray 3.5 for 3ds Max

Take a ride on the hype cycle with a pioneer of VR and filmmaking

The rebellious studio which is turning arch viz upside down.

Unit Image cooks up CGI for TV station ad.

We take a deeper look at how to output the Active Shade VFB from V-Ray 3.5 for 3ds Max into a VR headset.

Anniversary celebrated with greatest hits video.

Victor Hugo creates character for Blur Studio's cartoony trailer.

The mad mechs return in Blur Studio's trailer.

In short, resumable rendering is the ability to have incomplete renders resume where they left off.

The powerful computers designing high-performance two-wheelers.

Understanding Adaptive Lights

Partnership will add V-Ray fidelity to browser-based presentations

How SoA went from five guys in a room to one of the world’s most revered arch viz institutes.

400+ photoreal materials at your fingertips

How V-Ray 3.4 brings realistic metallic and glistening surfaces to life.

FX Guide article on V-Ray's stochastic flakes