Part 3 of our THU series features Kevin and Snow Mack talking about VFX, Fine Art, and Shapespace VR.

Today, Chaos Group announces the immediate availability of V-Ray 3.1 for Maya.

We speak to Nozawa Tetsuya about the CG industry in Japan.

Part 2 of THU 2015 series features Jose Alves da Silva and Andrew Hickinbottom

We talk to Kim Baumann Larsen about architecture and VR over the last 20 years.

Renowned VFX supervisor David Prescott, talks to us while at Trojan Horse was a Unicorn.

We chat with Tim Miller, co-founder of Blur, and Director of the upcoming feature film Deadpool

We talk to Scott DeWoody and Alan Robles at Gensler about what technology has to offer for the future of architecture design.

Wes Ball, Director of The Maze Runner and The Scorch Trials talks about his career.

We talk to Kevin Baillie about Atomic Fiction, The Walk, and rendering on the cloud with V-Ray for Katana.

We talk to Shahin Toosi about how he spent 2 years working on V-Ray for Nuke.

Justin Denton is a director and vfx supervisor specializing in VR content.

V-Ray for NUKE introduces a new approach to lighting and compositing.

Fully Integrated Ray Traced Rendering Now Available for The Foundry's Industry-Standard Compositing Tool

We talk to the renowned concept artist Fausto De Martini about his career.

Justin Denton talks about how Legend 3D started to make VR content in both live action and CG.

Today, we announce the immediate availability of V-Ray 3.1 for Maya.

Today, Chaos Group announces the immediate availability of V-Ray 3.1 for Maya.

Kirk and Christopher from A52 chat about their work at A52.

Vlado explains sampling in V-Ray 3

VR Installations Include Legend3D’s Project for “Crimson Peak”; V-Ray Days’ Return Features Method Studios, Atomic Fiction, and Ruairi Robinson

Erik's background in Effects started way back as a director of photography in miniatures.

We talk to director Ruairi Robinson about his career including the teaser Leviathan.

While working on CONSTRUCT, Kevin Margo decided to experiment with the new stereo 6 x 1 cube maps for VR.