Audi, McLaren, and Wired have turned to INK for incredible renders. Founder Dave Macey tells us how the company’s made a name for itself, and the importance of its passion projects.

Communicating design and building apps for the future with Snøhetta and SOM visualization company.

Look what Houdini made me do! Find out how V-Ray for Houdini powered Taylor Swift’s music video, and go behind the scenes of Get Out.

Respected VFX supervisor on the pipelines and deadlines of Arrow, Iron Fist and Legends of Tomorrow.

The principles of this cutting-edge creative agency join Chris and Lon for a hilarious podcast

BIG and Hyperloop One creative studio on making the world’s grandest architecture projects feel personal

The Meg and Avengers: Infinity War compositor on the relationship between CG artists and photographers

Talk like an Egyptian: Arch viz star on his stunning renders for Zaha Hadid, KPF, MVRDV and more

From SEGA to Star Wars: The incredible origins story of a visual effects Jedi

“Portrait of Cassidy” is CG artist Ian Spriggs’ latest digital portrait. Listen to find out how he created this and many of his other masterpieces.

CG artist shares tricks of the trade for awesome automobile renders

Legendary Croatian arch viz firm Studio Niskota is no more — but something bigger and better is in the pipeline. Founders Dean and Hrvoje tell Chris what’s next.

The partnership between Corona and V-Ray is starting to bear photorealistic fruit. Find out how the companies are collaborating, and the exciting new features coming soon to Corona.

What can megabudget blockbusters learn from a 43-year-old movie about a rubber shark?

Digital Domain’s digital human experts discuss the incredible work which went into Avengers’ Thanos

VFX vets talks software, swimsuits — and Scott Ross

After Black Panther and Ready Player One VFX supervisor tells you everything you need to know about working on set in the movies

The long history of how the art of Previs revolutionized the entire film industry

The happy accidents which have made Substance software a dream for CG artists

Making 3D Worlds: multi-talented editor talks magazine publishing, events organization — and guitar building

Real-time engines and VR, it's not just for games anymore, it's actually for productivity. Just ask the guys at Unity and Oculus Medium

The man behind V-Ray’s super simple cloud rendering tells Chris how it was done

Do androids dream of electric sheep? Chris and Dan pore over seminal sci-fi sequel

Another Dimension: How Adobe’s V-Ray powered 3D software is revolutionizing workflows, embracing machine learning, and democratizing the industry

How can we make sense of virtual worlds? And which tools can we use to create them? A filmmaker-turned-lecturer and three guests from Oculus and Google offer their thoughts.