Pixomondo, Cube Creative and RealtimeUK Among V-Ray Day Speakers; New Mars Design Contest with HP
Do androids dream of electric sheep? Chris and Dan pore over seminal sci-fi sequel of Blade Runner
Another Dimension: How Adobe’s V-Ray powered 3D software is revolutionizing workflows, embracing machine learning, and democratizing the industry
How can we make sense of virtual worlds? And which tools can we use to create them? A filmmaker-turned-lecturer and three guests from Oculus and Google offer their thoughts.
V-Ray Developers Organize Event Dedicated to the Future of Rendering; Blur, Method Studios, Nurulize and Intel on as Speakers
Discover how we've seamlessly unlocked the speed and power of the cloud.
Artists, designers, and architects invited to envisage a colony on the red planet.
This May, we're putting on the greatest rendering event in the known universe. Here’s why you need to be there.
A deeper look at the new hair shader in V-Ray next. It describes how to understand the shader in a more physiological way, then takes you through the steps of setting one up for Look development including using V-Ray GPU in IPR rendering.
World building - the storytelling process every 3D artist and designer should build into their work.
Find out how Chaos Group has built a fast, smart and easy cloud rendering service.
Chris, Dan, and Justin find common ground in the second part of their epic Star Wars discussion
How many architects are using VR? And which software are they using? Find out with our handy illustration.
Brand new event unites the art, science and technology of computer graphics
Behind the scenes of Black Panther, Fast & Furious 8, and Beauty and the Beast with this on-set data integration lead
Was The Last Jedi a great Star Wars movie? A new voice offers his take
To celebrate the launch of V-Ray 3.6 for Rhino, we invite arch viz expert Federico to tell us about his favorite features.
Powerful GPU rendering, smart hybrid GPU + CPU rendering, and more awesome features available now
And now, a word from THU’s sponsors: Gnomon, Lenovo and ArtStation
The idea of producing a 4K, stereoscopic arch viz film against a tight deadline would be enough to send most arch viz companies running to the hills. Here’s how Neoscape did it – with a little help from V-Ray.
The new automatic exposure and white balance settings in V-Ray next not only make the rendering process simpler and faster, but they also balance your renderings for both speed and quality.
From the jurassic era to outer space and the high seas with VFX supervisor Greg